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Lost in the fog, a stranger seeks refuge in a nearby house only to find a man shot dead and his wife standing over him with a smoking gun. But the woman's dazed confession is anything but convincing and the unexpected guest decides to help. Remarkably, the police clues point to a man who died two years previously, but as the ghosts of a past wrong begin to emerge, a tangled web of lies reveals family secrets and chilling motives, where the real murderer turns out to be the greatest mystery of all.
The hit dramatic play The Answers to Apathy is returning to the stage after its original production in 2015! Embrace your past and accept the present — or your future may haunt you. Rainey Grander has just received news of a life-changing event, and when old friendships and new relationships collide in the present day, the course of everyone's fate lies in the hands of confronting their hopes, their fears, their dreams, their secrets, and their ways of coping with their own mortality.
The Answers to Apathy is a beautiful and inspiring story about unique relationships and people navigating their lives after they have all experienced a profound loss, which is also their gain. The play tackles every human emotion, including love, resentment, forgiveness, passion, happiness, ambition, and sorrow. This dramatic and sometimes humorous play centers around six people and their lives before and after an incident and how all are adversely effected in different ways while reflecting on their own choices.
Cyrano de Bergerac by Edmond Rostand.
Starring David Serero as Cyrano.
In a small Boston suburb, a single schoolteacher is struggling to get by when the wealthy father of one of her students surprises her with a financial proposal that could change her daughter's life. Suddenly, their worlds collide in ways that open up questions: What truly separates the haves and the have nots? Is it wrong to seize an incredible chance, even if the circumstances seem questionable? Loosely inspired by a passage from The Great Gatsby, this timely new play by the author of The City of Conversation probes the troubling relationship of finance and educational opportunity in American life today. Directing is Tony Award winner Doug Hughes (Doubt).
Daybreak, written by Joyce Van Dyke and directed by Lucie Tiberghien, is a world premiere play highlighting Armenian-American history. Set in three time periods, Van Dyke's drama is inspired by the true stories of two female friends who survived the Armenian genocide. Using memory, dreams, and music, Daybreak carries the story of these women into the 21st century in a celebration of the human spirit's endurance.
In 2006, the Department of Homeland Security opened the first family detention center for undocumented immigrants — at a former prison in Texas surrounded by razor-wire fencing and operated by the nation's largest for-profit corrections company. Detained tells their story.
None of the detainees has a criminal record, yet all are treated as if they do. They're required to wear orange prison jump suits. Their meals, recreation, and family time are rigorously regulated. Their communication with the outside world is strictly limited. There is no privacy. This is the world in which Doug and Maria, teenagers from different lands, forge an alliance to help each other's families survive incarceration and escape deportation. In the face of oppression and humiliation, the teenagers unite against a deeply fractured system in their fight for freedom.
This play, first produced in 1973, exposes hypocrisy and heartbreak among a liberal group of friends when one of their own reveals a long-concealed secret about his lifestyle. When a close-knit group of NYC liberals decide to move to a row of adjoining houses, long-held secrets are suddenly brought into the open. When one member of this group comes out as gay, announcing that he and his lover will be moving into the enclave together, this group of liberal-seeming friends must suddenly confront their unconscious prejudices.
Although now regarded as two of history's finest American playwrights, back in 1944, William Inge and Tennessee Williams hadn't yet experienced anything close to success. The Gentleman Caller takes audiences back to a time before the Chicago premiere of The Glass Menagerie. Inge, a dissatisfied newspaper critic, invites Williams to his St. Louis apartment for an interview. This sexy, fraught rendezvous sparks a relationship, which radically alters the course of their lives and the American theater.
Ash has a blessed life and is thankful every day for the gifts of his family, his addiction, and his son's deafness. But on one fateful day, everything's taken from him. How can he see this unexpected test, which threatens to cast him and his loved ones into darkness, as the ultimate gift? Craig Lucas's new play is performed simultaneously in English and American Sign Language by two casts.
Award-winning Phoenix Theatre Ensemble presents Robert Patrick's version of "the greatest story ever told." Mary is the political revolutionary mother of a reluctant pacifist 30-year-old prophet; Pilate is the urbane, witty, but ruthless prefect of the Roman province of Judea, and Judas is a young man who is a disciple of Jesus of Nazareth and the protégé of Pontius Pilate. Judas struggles with what to believe and who to follow in this modern-dress battle of wills. The play concludes with Pilate and the prophet in an explosive ultimate showdown between simple faith and political opportunity. Funny, modern, and controversial, Judas questions our faith, religion, money & politics.
In Shakespeare, there are kings, and then there is Lear — rain-raving madman, dad with daughter issues, and a role that actors wait a lifetime to play. In this bold offering from Royal Shakespeare Company artistic director Gregory Doran, inimitable Olivier Award-winning actor Sir Antony Sher rises to that teetering throne, giving a career-defining performance as the all-too-trusting monarch in the twilight of his sanity. Beneath a pagan sun that gives way to a bleak winter, Sher's Lear growls, inhabiting the self-searching conscience of a king who — after unwisely divesting his lands to the wrong people — causes heads to roll.
On the heels of her acclaimed production of Hadestown at New York Theatre Workshop (NYTW) and her Broadway debut with Natasha, Pierre & The Great Comet of 1812, multi-Obie Award winner Rachel Chavkin returns to NYTW with Caryl Churchill's incisive drama Light Shining in Buckinghamshire. In 1647 England, power is shifting, and amid the chaos and confusion, revolutionaries across the country are dreaming of a new future.
Little Rock tells the riveting true story of the Little Rock Nine, the first black students to attend their city's formerly segregated central high school, three years after the Brown vs. Board of Education Supreme Court decision declared that separating students by race was unconstitutional. What began as their quest for a better education soon became a national crisis, igniting the passions of a divided country and sparking a historic fight for justice in the Jim Crow south. On the cusp of the civil rights movement, a changing world watched as these nine children from Arkansas battled for their rights, armed with only a book and pencil. At once harrowing and hopeful, Little Rock brings to life the Nine's untold personal stories of challenge and resilience, conjuring memories of America not so long ago. From writer and director Rajendra Ramoon Maharaj, this moving play honors the bravery of these young heroes and asks audiences, "Would you have had the courage?"
Jeremy Irons and Lesley Manville (Ghosts) reprise their roles in Sir Richard Eyre's acclaimed production of this Eugene O'Neill classic. Unfolding on a summer's day in 1912, Long Day's Journey Into Night offers an emotionally devastating look at the Tyrone family, including retired actor and alcoholic father James, his morphine-addicted wife Mary, and troubled adult sons Edmund and Jamie. Haunted by the past — yet unable to face the truth of their dilemmas — the family members replay feelings of resentment, anger, love, and despair.
Mangled Beams opens on the morning of September 11, 2001. At an ironworkers' union hall, four Native American men wait to be assigned work. Then the unimaginable happens. Unable to turn their backs on the tragedy, they go to work on the search and rescue effort at Ground Zero. While untangling the beams their fathers and grandfathers helped put in place, they reclaim their identity and find personal redemption.
If you looked back on 11 moments from your life, would you recognize yourself, or would you see a stranger? Mary Page Marlowe is a seemingly ordinary accountant from Ohio who has experienced pain and joy, success and failure. In this sweeping but intimate play, Tracy Letts gives audiences a haunting portrait of a complex woman, demonstrating how a series of forgotten moments can add up to one memorable life.
Matata and Jesse James: An American Tragedy draws on folklore and the historical record to tell a bitter tale about America during the Reconstruction Era — a time in our country when many hoped that poor whites and poor blacks could find common ground, support one another, and build a more equitable and democratic United States.
Matata and Jesse James juxtaposes two Missouri families — that of Matata, a former African-American slave, with that of of Jesse James, known as a friend to the poor who'd fought for the Confederacy. Can these poor Americans find common ground in the Civil War's aftermath? The color line runs deep throughout this country's history and culture.
This season, two-time Pulitzer Prize winner Lynn Nottage returns to the Public Theater with a new drama as moving and incisive as her Broadway debut play, Sweat. Taking audiences on a journey that starts in a game park in Kenya and goes around the world, Mlima's Tale is the story of Mlima, a magnificent elephant trapped in the clandestine international ivory market. Following a trail of greed and desire as old as trade itself, Mlima leads viewers through memory and fear, history and tradition, and want and need. Obie Award winner Jo Bonney directs this poignant play that reveals the surprising and complicated deals that connect us all.
On December 12, 1940, with World War Two raging, a single bomb reduced the Marples Hotel, which stood proudly in Fitzalan Square in Sheffield, from seven stories to just 15 feet of rubble. Only one of the 10 compartments in the hotel's cellars withstood the blast. Trapped within it were four men. Operation Crucible tells their story from beginning to end.
Pay No Attention to the Girl is a multiyear exploration of The Thousand and One Nights, a collection of Silk Road, Middle Eastern-North African, and South Asian stories. Huge in scope, mystical, political, and problematic, the folk tales are examined here in the first section of a larger theatrical adaptation directed by David Herskovits. This interlocking set of tales about the deceptions of the sexes leads viewers deep into a labyrinth of storytelling.
When a fiercely independent, workaholic police officer receives an old cassette tape with a message from her big brother on it, she is propelled back to her vibrant childhood and forced to confront a tremendous loss. Replay is an intimate, moving, and life-affirming story about learning to celebrate the past, however painful.
In this one-man show, written, conceived, and helmed by one of the United Kingdom's most lauded stage and film actors, Paterson Joseph, Sancho's remarkable life is unveiled while casting new light on the often misunderstood narratives of the British-African experience, which are parallel to the stories of many African-Americans today. The play unfolds as Sancho prepares to be immortalized by Thomas Gainsborough, the famous 18th-century English painter (whom painted Sancho in real life and was an acquaintance). The audience is granted a firsthand account into Sancho's determined rise from poverty and servitude via the road of education, making for a truly remarkable life story. The themes of prejudice, xenophobia, and nationalism are topics that resonate today in modern American society and are explored via an elegant, witty, and often comedic delivery.
In 1949, Dr. Jacob Bronowski installs a secret alarmed room in his house. Fifty years later, his grandson discovers his secrets, unearthing echoes from across six million years of human history, told from the perspective of a century in which every year is a revolutionary year. Secret Life of Humans is inspired by Yuval Harari's international bestseller, Sapiens: A Brief History of Humankind.
Like other popular social issues productions like Rent and Juvie, Shadow Kids is out to prove that theater can help raise awareness and ultimately inspire change.
Shadow Kids is a true story based on the experience of award winning writer Keith E. Brown, who was a foster kid from age 2 until he aged out at 18. The story follows the lives of four foster kids who maintain their friendship over the course of 16 years despite constant separation and profound hardship.
Simon Grindberg is the world's most illustrious children's book writer and illustrator — but his next masterpiece is a decade overdue. Peter Chandler is a starving artist with unparalleled potential — but he doesn't yet know his own value. The two men are thrown together by Clair Forlorni, an ambitious editor who hopes Peter's youthful exuberance can unleash Simon's aging genius for one final story. But creativity comes at a cost. The Stone Witch is a wondrous, hopeful, and heartbreaking new play in which imagination runs wild.
In Mississippi at the turn of the 20th century, the local minister's daughter walks the line between piety and sensuality with the neighborhood doctor, who grew up next door. Jack Cummings III directs this sultry Southern Gothic play by Tennessee Williams. The production is Transport Group's first collaboration with Classic Stage Company.
In a strange relationship that lasted 14 years and was conducted exclusively through letters, Pyotor Ilyich Tchaikovsky and his patroness Nadezhda von Meck were united through the invincible power of a disembodied love in which they both found refuge. Plagued by doubts about the greatness of his music, tormented by the fear that his homosexuality would be discovered, and trapped in a marriage to a woman who was eventually committed to an insane asylum, Tchaikovsky found in von Meck an "invisible angel." Tchaikovsky: None but the Lonely Heart honors their unique relationship in part through music, including the composer's Piano Trio in A minor.
At a middle school in a seaside town, the unthinkable has happened, placing a bewildered community in the national spotlight. Stuck at home in a state of shocked limbo, Julie and Zander, two 13-year-olds, try to make sense of the chaos they witnessed, their awkward crushes, and an infinitely more complicated future — but the grown-ups are no help at all. An urgent response to our times, This Flat Earth is a startling and deeply felt story of growing up in our confounding world.
The cast features Drama Desk and Theatre World Award winner Cassie Beck (The Humans), Ella Kennedy Davis (Matilda the Musical), Theatre World Award winner Lynda Gravatt (Skeleton Crew), Lucas Papaelias (Once), and Ian Saint-Germain (Tamburlaine). Tony Award winner Rebecca Taichman (Indecent) directs.
Sophie and Tom's relationship fell apart in the aftermath of a catastrophe. Four years later, as they come face to face once again, the aftershocks of that fateful day can still be felt. Tremor is an intense new play about how we choose to see things and live in a world riven with tension, anxiety, and division.
Woman is dying. Mother to eight children and wife to an unfaithful husband, she is living her final hours with Scarecrow, her alter ego — her closest confident and greatest critic — as death noisily interrupts from the sidelines. Together, the women revisit her life with biting humor and brutal honesty. Woman and Scarecrow is a fierce, passionate, and moving lament for a life half-lived.